Awakenings
May
15
7:00 PM19:00

Awakenings

Featuring

Rami Sarieddine, piano

Alexander Bonus, harpsichord

Cathryn Gaylord, bassoon

Kelly Herrmann, flute

I am excited to present my final recital as a member of the Graduate Vocal Arts program at Bard College. The last two years have been an incredible journey and have inspired the theme of my recital, Awakenings. There are many ways we can experience an awakening that can affect our perspective on how we view ourselves and the world around us. Each musical selection reflects a different kind of awakening I have personally experience duing my time in Hudson Valley. I hope you will join me for the evening.

Programmed works by Kaija Saariaho, Mark Carlson, George Crumb, David Garner, William Bolcom, Einojuhani Rautavaara, George Gershwin, Nicolas Bernier, Schubert, Schumann, Strauss and Brahms.

This recital will be LIVE STREAMED! Tune in on my Media page or on the Bard Vocal Arts Channel (click link). Follow along as you listen with the Program Notes & Translations

Reception to Follow.

Free and Open to the public. 

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Greg Drilling, Oboe
May
1
3:00 PM15:00

Greg Drilling, Oboe

Lizabeth will be performing with Greg Drilling, oboe, on his degree recital, selections from Johann Sebastian Bach 's (1685-1750):Weichet nur, betrübte Schatten, BWV 202 (Wedding Cantata)

I. Aria: "Weichet nur, betrübte Schatten"

VI. Recitative: "Und dieses ist das Glücke"

VII. Aria: "Sich üben im Lieben"

VIII. Recitative: "So sei das Band der keuschen Liebe"

IX. Gavotte: "Sehet in Zufriedenheit

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In Recital: Lifebridge Sanctuary
Apr
13
7:00 PM19:00

In Recital: Lifebridge Sanctuary

Lizabeth and pianist, Rami Sarieddine, will be performing with her colleagues from the Bard College Conservatory Graduate Vocal Arts Program at the Lifebridge Sanctuary in Rosendale, New York. 

Each singer will perform selected songs and cycles from their upcoming full-length recital programs this spring. 

 

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Higglety Pigglety Pop! and Die Zauberflöte
Mar
6
2:00 PM14:00

Higglety Pigglety Pop! and Die Zauberflöte

  • Fisher Center for the Performing Arts (map)
  • Google Calendar ICS

Lizabeth will be performing in the Bard College Conservatory Graduate Vocal Arts Program of Oliver Knussen's Higglety Pigglety Pop! (based on the book by Maurice Sendak) as the "Voice of the Baby's Mother" and as the First Lady in W. A. Mozart's Die Zauberflöte. 

Check out the Fisher Center Website for tickets.

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Higglety Pigglety Pop! and Die Zauberflöte
Mar
4
7:00 PM19:00

Higglety Pigglety Pop! and Die Zauberflöte

  • Fisher Center for the Performing Arts (map)
  • Google Calendar ICS

Lizabeth will be performing in the Bard College Conservatory Graduate Vocal Arts Program of Oliver Knussen's Higglety Pigglety Pop! (based on the book by Maurice Sendak) as the "Voice of the Baby's Mother" and as the First Lady in W. A. Mozart's Die Zauberflöte. 

Check out the Fisher Center Website for tickets.

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Nov
13
8:00 PM20:00

Osvaldo Golijov's "Tenebrae"

  • The Laszlo Z. Bito '60 Conservatory Building (map)
  • Google Calendar ICS

Lizabeth is appearing on clarinetist, Caitlin Beare's autumn recital performing Osvaldo Golijov's Tenebrae for soprano, clarinet, and string quartet. 

Notes from the composer:

"I wrote Tenebrae as a consequence of witnessing two contrasting realities in a short period of time in September 2000. I was in Israel at the start of the new wave of violence that is still continuing today, and a week later I took my son to the new planetarium in New York, where we could see the Earth as a beautiful blue dot in space. I wanted to write a piece that could be listened to from different perspectives. That is, if one chooses to listen to it "from afar", the music would probably offer a "beautiful" surface but, from a metaphorically closer distance, one could hear that, beneath that surface, the music is full of pain. I lifted some of the haunting melismas from Couperin's Troisieme Leçon de Tenebrae, using them as sources for loops, and wrote new interludes between them, always within a pulsating, vibrating, aerial texture. The compositional challenge was to write music that would sound as an orbiting spaceship that never touches ground. After finishing the composition, I realized that Tenebrae could be heard as the slow, quiet reading of an illuminated medieval manuscript in which the appearances of the voice singing the letters of the Hebrew Alphabet (from Yod to Nun, as in Couperin) signal the beginning of new chapters, leading to the ending section, built around a single, repeated word: Jerusalem."

-- 

Read more from the Composer on his website

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Jul
23
to Jul 24

Medea

  • The László Z. Bitó '60 Conservatory Building (map)
  • Google Calendar ICS

Lizabeth will be singing the role of "Corinthian Woman" during Bard College Conservatory of Music's Conductor's Institute. This workshop will allow student conductors the opportunity to conduct the opera Medea by Maestro Harold Farberman with singers from Bard College Conservatory's Vocal Arts Program and a full, professional orchestra. 

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Apr
19
3:00 PM15:00

First Songs [Two] Concert

The Second of Two First Songs Concert Programs featuring Dawn Upshaw, the Bard College Vocal Arts Program, and the Bard College Piano Fellows performing new works and East Coast premieres by living American Composers.

Lizabeth will perform Andrew Norman's Lullaby (2008, text by W.H. Auden) with her collaborator, Rami Sarieddine in addition to Conrad Winslow's Love (After Rochefoucauld) with her colleagues. 

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Apr
15
8:00 PM20:00

First Songs [Two] Concert Preview

  • Bard College Conservatory Performing Space (map)
  • Google Calendar ICS

The Second of Two First Songs Concert Programs featuring Dawn Upshaw, the Bard College Vocal Arts Program, and the Bard College Piano Fellows performing new works and East Coast premieres by living American Composers.

Lizabeth will perform Andrew Norman's Lullaby (2008- text by W. H. Auden) with her collaborator, Rami Sarieddine in addition to Conrad Winslow's Love (After Rochefoucauld) with her colleagues. 

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Apr
8
8:00 PM20:00

First Songs [One] Preview Concert

  • Bard College Conservatory Performing Space (map)
  • Google Calendar ICS

The First of Two song programs featuring Dawn Upshaw, the Bard College Vocal Arts Program and the Bard College Piano Fellows performing new works, and East Coast Premieres by American living composers. 

Lizabeth will be performing Conrad Winslow's Love (After Rochefoucauld) with her colleagues. 

View Event →